Hidden Music Collection Contains Gold Records and Unforgettable Memories – Somerset Live
John Osborn has spent over three decades amassing a collection of music memorabilia, particularly focusing on gold and platinum discs. While his professional life revolves around therapy and aiding individuals struggling with PTSD, his personal passion lies in curating a unique assortment of historically significant music artifacts. What initially sparked his interest in collecting was a friend showing him a signed Depeche Mode LP, igniting a fire within him that continues to burn brightly today. His collection includes not only award discs but also signed guitars, original artwork, and autographs from influential figures in the world of music and pop culture.
John Osborn’s approach to acquiring these pieces is a mix of luck, boldness, and dedication. His collection isn’t just about the hunt for treasures, though; some items hold immense personal value for him. For example, the gold disc for Depeche Mode’s Violator and the platinum disc for Tears for Fears’ Songs from the Big Chair hold significant sentimental value, stemming from the impact they had on John during his formative years. These cherished pieces will be a part of the display at the Bristol Beacon Record Fair, an event organized in collaboration with South West Record Fairs.
While some items from John’s private collection will be available for purchase, he emphasizes that certain pieces hold too much personal significance to be sold. Visitors to the exhibition can expect a captivating visual experience, showcasing around 20 carefully selected items. John prefers to let the memorabilia speak for itself, believing that the pieces’ history and significance are best understood through observation. Each gold or platinum disc in his possession isn’t merely a display of commercial success but a testimony to a specific moment in music history.
Despite the ever-changing landscape of the music industry, with vinyl making a resurgence in popularity, John acknowledges the enduring impact of legendary artists like The Beatles, David Bowie, and Fleetwood Mac. While modern-day musicians may not attain the same cultural influence, John remains passionate about current indie artists such as The Yeah Yeah Yeahs, Interpol, and LCD Soundsystem.
Although this public exhibition may be a one-time event, John hasn’t ruled out the possibility of future showcases. He continues to add to his collection, viewing it as an evolving body of work that will change over time. In a world where music is predominantly experienced digitally, John Osborn’s collection serves as a poignant reminder of the tactile, tangible nature of music’s history. Each gold or platinum disc isn’t just a shiny token; it’s a symbol of a significant cultural moment—a physical embodiment of the emotional resonance and enduring appeal of music.