The April 2025 Noise – Noise Everywhere
Niche communities often experience heavy activity in the spring and fall months, and April 2025 was no exception. This particular month saw a plethora of new music releases that captivated and inspired fans of various genres. From math rock to electronica, April 4 was a significant day for new music with several standout albums hitting the shelves.
Snooze, originally known for their math rock style, surprised fans with their latest album, “I KNOW HOW YOU WILL DIE.” Adopting a fresh approach that differs from their earlier work, this record combines diverse elements and influences to create a unique and engaging listening experience.
Panchiko’s album “Ginkgo,” released on the same day, has garnered praise for its Radiohead-like vibes that manage to be more relatable and warm. Featuring a collaboration with Billy Woods, this album stands out for its down-to-earth and inviting sound.
Sarah Mary Chadwick’s release on Kill Rock Stars, titled “Take Me Out To a Bar / What Am I, Gatsby?,” showcases her ability to create hauntingly beautiful music using minimal instrumentation. With just piano and vocals, Chadwick’s talent shines through on this versatile and captivating album.
On the same day, Jane Remover unleashed “Revengeseekerz,” a follow-up to her emotionally powerful debut album. While this new record may require patience to fully appreciate its depth, those who take the time to explore it will find something truly special hidden within its layers.
In the realm of hip hop, the album “A City Drowned in God’s Black Tears” by Infinity Knives & Brian Ennals made a lasting impact on enthusiasts. This record stood out as a significant release that showcased the diverse and impactful nature of the genre in 2025.
Chestcrush, a Scottish band, made their mark with “ΨΥΧΟΒΓΑΛΤΗΣ,” an extreme metal album that pushes boundaries with its heavy and immersive sound. Blending elements of blackened death metal and sludge, this record offers a dark and disturbing listening experience.
“Forever Howlong” by Black Country, New Road, released under Ninja Tune, showcases the band’s commitment to artistic freedom. Despite experiencing changes in their lineup and sound, Black Country, New Road has maintained their unique identity throughout their musical journey.
Habak’s “Mil orquídeas en medio del desierto” stands out as Mexico’s crustiest band with a mature and refined sound. Their skramzy hardcore style with a crusty edge captures the essence of the current music scene.
Kaschalot’s album “Anemoia” injects new life into the math rock genre, offering a refreshing take on the style. This charming and original release demonstrates the band’s ability to innovate within a space that has seen little evolution in recent years.
London-based composer Sheldon Agwu’s “Kintsugi” blends elements of hip hop, electronica/IDM, and jazz to create a soothing and relaxing atmosphere. With its captivating soundscapes, this album provides a therapeutic experience that resonates with listeners from the first note.
NEPTUNIAN MAXIMALISM’s “Le Sacre Du Soleil Invaincu” continues to solidify the band’s status as a unique and groundbreaking force in the music world. Released on I, Voidhanger Records, this album pushes the boundaries of artistic expression and showcases the band’s unwavering commitment to innovation and creativity.