Chaos in the CBD honor Aotearoa with new album
Chaos in the CBD, composed of Louis and Ben Helliker-Hales, have recently released their debut album, “A Deeper Life,” blending tropical influences with urban beats. Since departing Aotearoa in 2012, the brothers have established a successful international career in the dance music scene. Drawing inspiration from local legends such as Soane, Dick Johnson, Bevan Keys, and Greg Churchill, Chaos in the CBD have become synonymous with their dancefloor-friendly house music.
Despite their prominence in the London music scene, the Helliker-Hales had yet to release a full-length album until now. Their earlier EP, “Midnight in Peckham,” hinted at their new surroundings, but “A Deeper Life” is a heartfelt homage to Aotearoa. The album features collaborations with New Zealand jazz icon Nathan Haines on ‘Tongariro Crossing’ and expat trumpet player Isaac Aesili on the title track. Additionally, tracks like ‘Marlboro Sounds’ and ‘Ōtaki’ further showcase their dedication to paying tribute to their homeland.
The music on “A Deeper Life” exudes a tropical vibe that reflects Aotearoa’s warmer climate, coupled with a gentle ambiance. Throughout the album, recordings of water and birdsong from New Zealand are interwoven with an array of urban beats, creating a unique fusion of nature and city sounds.
In a different musical realm, Tunde Adebimpe, the frontman of TV on the Radio, has ventured into new territory with his solo album, “Thee Black Boltz.” Notably, TV on the Radio made waves in the indie music scene with their distinctive fusion of doo-wop vocals, electronic loops, and distortion. Adebimpe’s unmistakable voice set the band apart, drawing critical acclaim and attracting the attention of music icons like David Bowie.
A decade since TV on the Radio’s last album, Adebimpe explores a solo venture with “Thee Black Boltz.” Tracks like ‘Magnetic’ aim to recapture the captivating energy of TV on the Radio’s best work, showcasing his signature vocal prowess. Through songs like ‘Someone New’ and ‘Streetlight Nuevo,’ Adebimpe delves into eclectic genres, seamlessly blending synth pop and somber piano compositions.
Encountering personal tragedy during the album’s creation, Adebimpe found solace in moments of inspiration amidst profound grief, shaping the overall tone of “Thee Black Boltz.” The album title serves as a nod to the fleeting moments of happiness that arose from a place of sorrow, encapsulating the emotional depth of Adebimpe’s work.
On a different note, a trio of renowned instrumental artists, Kamasi Washington, Bonobo, and Floating Points, have released full-length albums to accompany a new animated series titled “Lazarus.” Despite the relative quiet surrounding these releases, each musician brings a unique blend of styles to the soundtrack. Washington’s jazzy compositions, Bonobo’s refined beats, and Floating Points’ experimental soundscapes collectively offer a diverse sonic landscape that complements the animated series.
In conclusion, Chaos in the CBD, Tunde Adebimpe, and the Lazarus soundtrack signify the diversity and innovation prevalent in the contemporary music scene, catering to a broad spectrum of musical tastes and genres. These artists’ dedication to their craft and their distinctive approaches to composition continue to push the boundaries of creativity and pave the way for new and exciting musical experiences.