Pulp releases latest single, ‘Got To Have Love’
Pulp has unveiled a fresh track titled ‘Got To Have Love’.
Frontman Jarvis Cocker describes the song as “slightly hysterical” and reflecting how he views love at this point in his life. Highlighting themes of self-realization and acceptance, the song is featured in their upcoming album, More. This LP marks the band’s return to the recording studio after a nearly 24-year hiatus and was announced with the release of the lead single ‘Spike Island’ last month.
Cocker delves deeper into the song’s meaning, confessing, “Love was a difficult word for me until I neared 40. Although I constantly listened to love songs, I struggled to express the word in real-life situations. The lyrics of this track are essentially a conversation with myself, a much-needed reality check. I’ve finally learned to say it with a straight face.”
A music video directed by Cocker complements the song, using footage of Northern soul dancers featured in a 1977 documentary about Wigan Casino. The visual narrative adds depth to the song’s message about the complexities and contradictions of love.
‘Rough Trade’ has set the official release date for More on June 6, 2025, generating anticipation among long-standing fans and new listeners alike.
In a related piece, Mark Webber, a member of Pulp, delves into his top music favorites. From his entrancing introduction to The Velvet Underground to cruising with Father John Misty, Webber shares his musical journey with Jonathan Wright. The account lends insight into the diverse influences that have shaped his musical tastes over the years.
Furthermore, Jane Savidge, a notable figure in the music industry, provides an exclusive discourse on Pulp’s ‘This Is Hardcore’ cover art in her latest publication. As the co-founder of Savage & Best PR company, Savidge shares her unique experiences with Pulp during their zenith in the late ’90s. The extract scrutinizes the intricate sexual politics depicted in the band’s iconic album cover.
Reflecting on the cultural landscape of the past, Ian MacMillan recounts the social dynamics of the 1997 arts scene, encapsulated by the ‘Sensation Nation’. The retrospective analysis considers the shallow yet elaborate elements of British culture during this period.
As music enthusiasts celebrate Pulp’s triumphant return with More, it is evident that the band continues to resonate with audiences, offering profound messages woven into catchy melodies. The anticipation for the album release grows as listeners eagerly await the band’s musical masterpiece after a long hiatus.