Man explains possible deception in ‘old man praying’ painting commonly seen

While browsing through homes, churches, or even restaurants, you may have come across a quintessential piece of art named “Grace.” This iconic image features an elderly man bowing down in prayer over a humble meal, including a loaf of bread and a large book that many assume to be the Bible. However, a recent video by pop culture YouTube user Austin McConnell sheds light on the true origin of this famous painting and its subject matter.

Originally, “Grace” was not a painting but a photograph captured in 1918 by Eric Enstrom, a Swedish American hailing from Bovey, Minnesota. During World War I, Enstrom was preparing for a convention when a salesman named Charles Wilden, peddling boot scrapers, paid him a visit. Enstrom was immediately captivated by Wilden’s kind face and saw an opportunity to showcase gratitude amidst the wartime struggles. This inspiration led to the creation of the photograph that eventually became known as “Grace.”

While many people assume that the book in the image is the Bible, it turns out that it is actually a dictionary, as revealed in a receipt between Enstrom and Wilden. Despite this revelation, the photograph became a massive success at the convention, prompting Enstrom to sell copies around town. Upon popular demand for colored versions of the photo, Enstrom’s daughter, Rhoda Nyberg, began hand-painting them in oils, adding a signature streak of light to the left side.

Rhoda Nyberg’s hand-colored rendition of “Grace” became the beloved version that many are familiar with today. The painting conveys a powerful message of gratitude and contentment, emphasizing that true wealth lies in a thankful heart rather than material possessions. Enstrom’s intention behind the photo was to remind people that despite facing shortages and hardships during the war, there was still much to be appreciative of.

Enstrom acquired the sole copyright to the image after persuading Wilden to sign over his rights for $5. Subsequently, the photograph was licensed to the Augsburg publishing house, which disseminated it nationwide. Thousands of copies were sold, and “Grace” became a widely recognized symbol of humility and gratitude. The image officially entered the public domain in 1995, allowing its legacy to endure for generations to come.

While the true identity of Charles Wilden remains shrouded in mystery, historical accounts suggest that he led a challenging life in a primitive environment near Grand Rapids. Contrary to the saintly image portrayed in the painting, Wilden was more likely a town eccentric with a penchant for drinking and minimal accomplishments. However, as McConnell points out, the value of art lies not in its origins or the identity of its creator but in the emotional connection it evokes in the viewer.

In conclusion, “Grace” may not be precisely what it appears to be, yet its message of gratitude and humility transcends its origins. Whether displayed in a corner burger joint or a revered art gallery, the power of this iconic image lies in its ability to inspire reflection and appreciation in those who behold it.