Why Jeremy Allen White’s Springsteen Biopic Should Feature Bob Dylan’s Alleged Parody
The upcoming biopic, “Springsteen: Deliver Me From Nowhere,” stars Jeremy Allen White as the iconic Bruce Springsteen, chronicling the creation of his haunting album, Nebraska, under the direction of Scott Cooper and based on Warren Zanes’ book. However, what adds an intriguing layer to the film is the rumored parody by Bob Dylan of Springsteen’s work. The question arises whether the biopic should feature both musicians in some context.
In 1988, Bob Dylan collaborated with George Harrison, Jeff Lynne, Roy Orbison, and Tom Petty to form the Traveling Wilburys, releasing their debut album with a track titled “Tweeter and the Monkey Man.” This song caught fans’ attention not only for its storytelling but for the subtle allusions to Springsteen’s work. References to Springsteen’s songs like “Stolen Car,” “Thunder Road,” “Factory,” “State Trooper,” and “The River” were woven into the lyrics, showcasing themes typical of Springsteen’s music, such as doomed romance, working-class struggles, and late-night escapades.
The intent behind the inclusion of these references in Dylan’s song has long been debated. While Tom Petty insists it was meant as praise for Springsteen, fans have speculated that it was more of an ironic dig at Springsteen’s earnest approach to rock poetry. Regardless of the underlying motivation, Dylan’s admiration for Springsteen is evident throughout their careers. Springsteen, in his biography “Born to Run,” lauds Dylan as a significant influence, even referring to him as “the father of my country.” Their shared history and mutual respect have led to memorable collaborations, such as their performance together at the Rock and Roll Hall of Fame and Springsteen’s tribute to Dylan at the Kennedy Center Honors.
Given the rich tapestry of their relationship, it seems fitting for Dylan to make a cameo in “Springsteen: Deliver Me From Nowhere.” His presence could add depth and context to Springsteen’s story, highlighting the creative landscape of the time. A subtle nod to Dylan, perhaps through a cameo or a passing reference, could further enrich the narrative and pay homage to their intertwined legacies. White’s portrayal of Springsteen reacting to “Tweeter and the Monkey Man” within the biopic would be a clever and meaningful inclusion, bridging the gap between two iconic figures in rock ‘n’ roll history.
In essence, the inclusion of Bob Dylan in the biopic would not only honor their friendship and mutual admiration but also capture a pivotal moment in rock ‘n’ roll history. As “Springsteen: Deliver Me From Nowhere” hits theaters, audiences can anticipate the potential convergence of these two music legends on screen, breathing life into their shared legacy and musical contributions.