Dave Bainbridge’s latest album explores the brink of possibility – The Progressive Aspect

Multi-instrumentalist Dave Bainbridge has recently unveiled his fifth solo album, On The Edge (of what could be), which stands out as his most ambitious and diverse effort to date. Known for his work with bands like Iona and Lifesigns, Bainbridge’s impressive discography showcases his virtuoso skills as a guitarist, keyboardist, and composer.

Following the critical success of his previous solo album, To The Far Away, released in the midst of the pandemic, Bainbridge has now taken his artistry to new heights with a musical journey that seamlessly blends progressive rock, Celtic folk, modern classical music, jazz, and ambient elements. On The Edge (of what could be) represents a significant evolution in Bainbridge’s sound, incorporating Scottish and Irish Gaelic vocals alongside English, and even experimenting with rock/pop influences in several tracks, making this his most diversified release to date.

While Bainbridge’s Christian beliefs have always influenced the ethereal quality of his music, he manages to imbue his compositions with universal themes that resonate with all listeners, regardless of their spiritual orientation. The album delves into exploring the spiritual realm, drawing inspirations from Celtic saints, nature’s wonders, and contemporary issues like conflict and climate change, all while emphasizing the transformative power of art to unite, inspire, and uplift humanity.

Unlike his previous album, which was characterized by a theme of separation during the pandemic, On The Edge (of what could be) ventures into a broader musical landscape, with spirituality serving as a connecting thread that weaves the past and present together. Bainbridge’s collaboration with a stellar cast of guest musicians, including Simon Phillips, Troy Donockley, and Sally Minnear, further enhances the depth and richness of the album, creating a truly ensemble-based masterpiece.

The opening track, For Evermore, sets the tone with its ethereal blend of Scottish and Irish Gaelic vocals layered over atmospheric synths and percussion, invoking a sense of timeless serenity and spirituality. On The Slopes of Slaiabh Mis follows with a lively Celtic rock vibe, featuring Uilleann pipes and expressive guitar solos that capture the essence of the Irish landscape and its cultural heritage.

Colours of Time introduces a more contemporary rock sound, with heartfelt lyrics exploring the vibrant hues of life and spirituality, culminating in a soaring vocal performance by Randy McStine. That They May Be One showcases Bainbridge’s instrumental prowess on keyboards and guitar, echoing themes of unity and spiritual harmony through its transcendent melodies.

The title track, On The Edge (of what could be), encapsulates Bainbridge’s hopeful vision for a more compassionate world, where love, unity, and respect prevail. The album as a whole is a testament to Bainbridge’s musical maturity and creative vision, offering listeners a mesmerizing blend of genres and emotions that transcend boundaries and inspire introspection.

In conclusion, Dave Bainbridge’s On The Edge (of what could be) is a masterful work of art that not only showcases his exceptional talents as a musician and composer but also invites listeners on a profound journey of self-discovery and spiritual reflection. Rich in diversity and depth, this album stands as a testament to the power of music to uplift, connect, and transform lives, reminding us of the beauty and wonder that surrounds us, waiting to be embraced.