July 2025: Noise Everywhere
As we find ourselves already in the month of August, it seems that July 2025 has passed by in a blur, leaving us feeling a bit disoriented. Places like this serve as focal points or sources of loud, chaotic noise, offering us a chance to ground ourselves or immerse ourselves in the intensity of the moment.
Alkuperä’s album, Sendero Desesperanza, released independently on July 1, caught my attention as the drummer from Drei Affen, a favorite skramz band of mine, had initiated this project. A testament to the excellence of Spanish skramz music, it stands out as one of the best offerings in the genre this year.
A delightful alt-gaze gem titled it’s nice to see you, stranger, released by thistle through Venn Records on July 4, hails from the UK. Despite teetering on the verge of oversaturation, the sound captivates listeners while it lasts.
Open Carry State’s album, ill live in this discomfort, independently released on July 4, brings forth a compelling set of basement skramz and hardcore tracks from the trio based in Atlanta, Georgia. A testament to my profound appreciation for the skramz scene, this collection of songs resonates deeply with its raw authenticity.
Erebor’s Infinitus Somnium, an independent release on July 4, stands out as a unique metal offering this year. The UK quintet elegantly merges elements of prog and death metal in three extensive tracks, showcasing a masterful blend that sets them apart.
Jonny Nash’s Once Was Ours Forever, released on July 4 through Melody As Truth, offers a blend of ambient and country music, creating a soothing and warm atmosphere. With intricate guitar arrangements and delicate vocal layering, the album exudes a comforting aura that envelops listeners.
Nuvolascura, a band that made waves with their album As We Suffer from Memory and Imagination, returned on July 8 with How This All Ends. Slightly sassier than their previous work, the album exudes chaos, despair, and energy, solidifying their reputation as a leading force in modern skramz music.
Digital Negative’s Intersect, released independently on July 11, delves into industrial-adjacent electronica, offering a cold and abrasive sound that captures the essence of the genre. A striking collection of songs that resonates with fans of this unique sound.
Denisa’s St. Bernadette, released through Deathwish Inc. on July 11, caught the attention of many with its compelling sound. An Indonesian artist, Denisa’s music won over listeners with its distinct style, reminiscent of Shedfromthebody.
TURQUOISEDEATH’s Guardian, released independently on July 11, breathes new life into atmospheric drum and bass, blending classic styles with contemporary influences. The album serves as a testament to the enduring nature of the genre, evolving to captivate modern audiences.
Qur’an Shaheed’s Pulse, released on July 11 through Leaving Records, offers a unique blend of experimental art pop, scratching an itch for jazzy, vibrant music. An album that exudes color and mystery, it’s a captivating addition to the experimental music landscape.
Ólafur Arnalds and Talos joined forces on A Dawning, released on July 11 through Opia Community and Mercury KX, delivering a heartfelt collaboration that showcases the depth of their artistry. A poignant story surrounds the album, underscoring the resilience and creativity found in the face of adversity.
Lastly, Kokoroko’s Tuff Times Never Last, released on July 11 through Brownswood Recordings, offers a soulful and dynamic experience, blending elements of jazz and Afrobeat to create a powerful musical journey. A testament to the band’s talent and vision, the album resonates deeply with audiences worldwide.