Exploring Princess Goes Inside: Theatrical Origins and Cinematic Music

Princess Goes, a musical trio, defies easy categorization, drawing inspiration from the art-rock tradition of New York. The group’s sound combines synth-driven elements with a theatrical flair, reflecting their collective experience on the stage as both a trio and individual musicians.

Michael C. Hall, recognized for his roles in acclaimed TV series like Six Feet Under and Dexter, actually began his career in Broadway productions long before his television success. It was during a run in the musical Hedwig and the Angry Inch that he connected with Peter Yanowitz and Matt Katz-Bohen, the other members of Princess Goes to the Butterfly Museum.

Originally a backstage collaboration, the project has blossomed into an artistic and musical endeavor driven by their shared passion for experimenting with sound and various musical styles. While influenced by their theatre background, the band’s aspirations extend far beyond the stage. Yanowitz reflects on their unique blend of Broadway and rock influences, emphasizing the strong chemistry they built based on their diverse musical backgrounds.

Transitioning from informal jam sessions to a more structured music-making process, Princess Goes values creative freedom in their songwriting. Drawing inspiration from rhythm sketches, phone recordings, and improvisational sessions, the band explores different avenues until they find a musical idea that resonates with them.
Their music transcends genre boundaries, seamlessly moving between art-pop textures and energetic rock beats, often within the same track. While their earlier work leaned heavily on electronic sounds, their recent compositions reveal a shift towards a more organic sound. Despite embracing real drums and piano, Princess Goes maintains their innovative edge through experimental production techniques.

Unlike traditional bands, Princess Goes blurs the lines between Mike Hall’s acting career and their musical project. While their music has been featured in popular series like Dexter: New Blood, the band remains committed to keeping both entities distinct. The group’s collaboration with director Marcos Siega during a video shoot in Times Square showcased their insistence on maintaining artistic independence while playfully engaging with Hall’s TV legacy.

Looking to the future, Princess Goes aims to further explore their live performance dynamics, describing their shows as a work in progress. With aspirations for a theatrical live experience that elevates the audience’s concert experience, the band draws inspiration from iconic performances like Talking Heads’ Stop Making Sense. Embracing loyal fans who have supported them from the beginning, Princess Goes values their listeners’ deep connection with their evolving sound.

As they work on their upcoming record, Princess Goes promises an intriguing evolution of their signature sound driven by live instrumentation. Their commitment to artistic growth and experimentation separate their music from their individual past projects, establishing a distinct artistic path for the band. Katz-Bohen’s reassurance that the forthcoming record will reflect the group’s identity underscores the band’s commitment to producing meaningful music in a world often overshadowed by celebrity.