Review of Robert Finley’s new album “Hallelujah! Don’t Let the Devil Fool Ya” by Rock & Blues Muse
In the realm of music, genres often overlap and intertwine, blurring the boundaries between gospel, soul, blues, rock, and funk. Renowned artists like Aretha Franklin, Tina Turner, and Sam Cooke began their musical journeys in church before transitioning to secular fame. Following in these footsteps is Robert Finley, a soul and blues musician whose career began later in life. Starting at age 62, Finley released his debut album in 2016 and has since continued to make music that pays homage to his gospel roots.
Now at the age of 71, Finley presents his fifth album, ‘Hallelujah! Don’t Let the Devil Fool Ya’. Produced by Dan Auerbach of the Black Keys, the album is set to be released on October 10 and showcases Finley’s talents in a new light. Each of the eight tracks on the album serves as a lyrical tribute to a higher power, blending elements of gospel with tough, swampy funk and gritty soul. The music on this album was born out of a single day of organic studio sessions, resulting in a raw and spontaneous sound that invites listeners to groove and party rather than engage in traditional religious practices.
Despite the gospel influences, the music on ‘Hallelujah! Don’t Let the Devil Fool Ya’ is far from conventional. Tracks like “Can’t Take My Joy” feature energetic riffs, psychedelic vibes, and soulful backing vocals that wouldn’t be out of place in a 70s James Brown session. Finley’s vocals, characterized by their gruff delivery, oscillate between calls to revelry and religious devotion, striking a delicate balance between the sacred and the earthly.
Accompanied by a talented band that often includes horns, Finley dives into each song with passion and intensity. Tracks like “I Am a Witness” kick off with infectious riffs that set the stage for the band to showcase their musical prowess. Even on scorching ballads like “His Love” and “Praise Him,” the spiritual undertones are accompanied by classic soul vibes that evoke memories of iconic 70s hits.
Throughout the album, Finley’s vocals, reminiscent of Taj Mahal, are complemented by Ray Jacildo’s soulful keyboards and Auerbach’s stellar guitar work. The result is a collection of inspired jams that seamlessly blend influences from gospel, soul, and funk. Each track, while sometimes lengthy, maintains a captivating energy that is both transcendent and visceral.
From the infectious rhythms of “Holy Ghost Party” to the funky groove of “On the Battlefield,” Finley’s music is a testament to the power of soulful expression and musical artistry. With ‘Hallelujah! Don’t Let the Devil Fool Ya’, Finley delivers a stirring and unrehearsed performance that transcends traditional gospel music, leaving listeners enthralled and moved by its intensity. As the album builds to a climactic finish, it is impossible to resist the urge to join in and celebrate the spiritual and earthly dimensions of the music.
In conclusion, ‘Hallelujah! Don’t Let the Devil Fool Ya’ is a testament to Robert Finley’s artistry and musical vision, blending gospel themes with soul, funk, and blues influences to create a unique and compelling listening experience. With its raw energy, infectious rhythms, and heartfelt vocals, this album is sure to captivate audiences and leave a lasting impression on all who listen.