Geese from New York discuss new album ‘Getting Killed’ and managing expectations • In Depth
Geese, the New York-based band that gained recognition for their brand of restless, chaotic rock and roll during lockdown, have taken the music scene by storm in recent years. With the release of their latest album, ‘Getting Killed,’ the quartet once again cements their place in the spotlight.
Frontman Cameron Winter reflects on his solo album, ‘Heavy Metal,’ which was received with critical acclaim, being described as “casually virtuosic” and likened to Astral Weeks. However, Winter quickly moved on to his work with Geese, propelling the band’s already established reputation to new heights. Alongside drummer Max Bassin, guitarist Emily Green, and bassist Dominic DiGesu, Geese had been making waves with their previous records produced by industry heavyweights Dan Carey and James Ford. Their debut album, ‘Projector,’ laid the foundation for their post-rock sound, while ‘3D Country’ marked a shift towards Americana influences.
The pressure was on for ‘Getting Killed,’ as the band found themselves playing to sold-out crowds and navigating through the various musical directions implied by their three lead singles. The album delivered on all fronts, showcasing Geese’s ability to craft intricate songwriting layered with captivating twists and turns. Drawing inspiration from an eclectic mix of genres, Geese’s sound on ‘Getting Killed’ shifts effortlessly from jam band funk to haunting guitar melodies reminiscent of ‘In Rainbows,’ all complemented by Winter’s distinctive vocals.
Following the album’s release, Geese returned to their roots, performing a street concert in Brooklyn to the delight of their fans. Describing the experience as reminiscent of The Beatles’ rooftop performance, Bassin and Winter found themselves at the center of a uniquely surreal moment that encapsulated the band’s rise to fame.
Winter’s modesty shines through as he downplays both the album release and the band’s success, attributing their growing popularity to a renewed audience interest. Geese’s desire to evolve creatively and avoid stagnation is evident in their tendency to constantly reinvent their sound. As Winter explains, “We don’t want to make the same stuff, because it’s embarrassing for us.”
On ‘Getting Killed,’ Geese sought to explore new territories by focusing on groove and drawing inspiration from free jazz and funk influences. The band’s musical evolution mirrors their journey backward in time, rediscovering elements of proto-punk and jazz that helped shape their creative direction.
Geese’s dedication to pushing boundaries and embracing change is evident in ‘Getting Killed,’ an album that has captured the attention of fans and critics alike. As they continue to break new ground and challenge musical norms, Geese cement their status as a cult classic in the making.