Parker McCollum discusses his latest album, expressing a desire to share it with Steve Earle [Interview]
Parker McCollum is set to release his fifth studio album tomorrow, June 27, via MCA Nashville. This album marks a significant shift for McCollum as he stopped trying to meet the expectations of others and instead focused on creating music that was true to himself. The self-titled album is a raw and immediate reflection of this newfound authenticity.
To achieve this level of confidence and creative freedom, McCollum embarked on a transformative journey. He booked a recording session at Power Station in New York City with producer Frank Liddell and engineer Eric Masse. During this time, McCollum stayed at the Ritz-Carlton, overlooking Central Park, and immersed himself in the belief that he was the rock star version of himself that he had always dreamed of becoming. This shift in mindset allowed him to break free from the constraints of traditional expectations and embrace a more authentic sound.
The recording process for this album was unlike anything McCollum had done before. Most of the record was tracked live, starting with a solo acoustic session where he let the music flow without any preconceived notions. Songs like “Permanent Headphones,” which he wrote at the age of 15, resurfaced during this process, bringing him back to his roots without trying to recreate the past.
Throughout the album, McCollum explores themes of experience and nostalgia while staying true to his original sound. Tracks like “My Blue,” “Hope That I’m Enough,” and “What Kinda Man” strike a balance between reflecting on the past and embracing the present. The song “New York Is on Fire” was written spontaneously during a recording session, capturing a sense of cinematic storytelling that McCollum had always envisioned.
Collaborations with songwriters like Lori McKenna and Mat Kearney added depth and emotion to the album, pushing McCollum to explore new creative territory. The cover of “Good Time Charlie’s Got the Blues,” featuring Cody Johnson, showcases McCollum’s appreciation for his peers and the impact they have on his music.
Despite his success in the mainstream country music scene, McCollum remains focused on creating music that is true to himself. This album represents a significant step in his career, as he fully embraces his creative instincts and lets his music speak for itself. While the album may not align with traditional radio expectations, McCollum is proud to have created a project that reflects his authentic self.
As McCollum reflects on the journey of creating this album, he recognizes the challenges and self-doubt that accompanied the process. However, in the end, he found himself confident in the music he had produced and content in knowing that this album is a true reflection of who he is as an artist. This record is not just another milestone in his career—it is a testament to his growth and creative evolution.