Concert Review: Daði Freyr Performs at Leeds Stylus on 13.09.25

In case you previously encountered Daði Freyr from Iceland, it may have been during the COVID-affected Eurovision Song Contest in 2020. Homemade jumpers, a unique dance routine, and an infectious hook made him a standout performer. Unfortunately, the whole event was ultimately canceled, leaving Daði Freyr’s song as a mere historical footnote in the Eurovision contest. However, contrary to expectations, Daði Freyr has continued to produce remarkably catchy music.

After placing 4th in the 2021 contest, Daði Freyr remained on the radar of European music fans. His ongoing popularity is evident in subsequent albums and tours. At a sold-out Stylus in Leeds, the anticipation is palpable not only for the headliner but also for Montaigne, a fellow 2020 Eurovision contestant from Australia. Montaigne’s quirky and eclectic artistry, highlighted by captivating dance moves and theatrical music, charms the audience with playful lyrics that delve into identity and queerness.

As four screens light up at the back of the stage, Daði Freyr’s deep voice welcomes the audience to “Planet Daði,” inviting everyone to simply enjoy the music. Daði Freyr bounds onto the stage to massive cheers, launching into high-energy tracks like “Where We Wanna Be” and “I Don’t Wanna Talk.” His dry humor, characterized by self-deprecation and wit, keeps the audience entertained throughout the show. From joking about showing up at homes of those who buy his album to encouraging the crowd to join in singing and dancing, Daði Freyr’s comedic banter adds a lighthearted touch to the performance.

Impressive covers, including Whitney’s “I Wanna Dance With Somebody” and a collaborative rendition with Montaigne of “make me feel so…” from 2022, further elevate the mood. Daði Freyr’s original songs like “Wildfire” showcase his electro-virtuosity, accompanied by mesmerizing visuals of star-filled galaxies. Tracks like “10 Years,” a chart-topper in Iceland, narrate the enduring joy of long-term relationships with catchy synth melodies.

The highlight of the evening comes with “Think About Things,” the infectious 2020 hit that missed out on victory. Despite the absence of Gagnamagnið from the original performance, Daði Freyr’s solo rendition, supported by larger-than-life videos on screens, encourages the audience to sing along with enthusiasm.

Overall, Daði Freyr’s show is a jubilant experience filled with irresistible hooks and synth magic. As audiences revel in the musical journey provided by Planet Daði, it becomes evident that it is indeed a delightful place to be in amidst the present circumstances.