CHAVELLE: Brilliantly Controversial
American alternative metal band Chevelle has undergone significant changes recently, displaying bravery and resilience in the face of upheaval. After 30 years in the industry, they switched labels, now calling independent label Alchemy Records home. Additionally, the band took the reins in producing their latest album, Bright As Blasphemy, with support from long-time producer Joe Barresi. Despite these shifts behind the scenes, Chevelle’s unwavering dedication and authenticity are evident in their music.
Often overlooked throughout their career, brothers Pete and Sam Loeffler have quietly amassed an impressive track record in heavy music. With seven chart-topping hits and 17 songs in the top 10, their global sales exceeding 6 million, Chevelle’s success speaks for itself. Despite their consistent quality output over the years, some may argue that Bright As Blasphemy offers more of the same. However, for longtime fans, that familiarity is precisely what draws them in – infectious chorus hooks, prominent bass lines, infectious grooves, head-nodding riffs, and vocals that have only improved over time.
The album kicks off with energy on “Pale Horse,” a dynamic track blending tense verses with a dreamy chorus and driving rhythm. The lead single, “Rabbit Hole – Cowards Pt. 1,” captures the essence of classic Chevelle while showcasing their evolution. Addressing the pitfalls of modern societal pressures driven by online conspiracies, the song’s message is clear and poignant. “Jim Jones – Cowards Pt. 2” confronts the hypocrisy of authority figures, urging listeners to question blind allegiance. Musically, the track delivers powerful rock energy, setting the tone for the album.
“Hallucinations” stands out as a beautifully layered composition, highlighting Pete Loeffler’s vocal range and emotional resonance. While the album maintains a strong start, it hits a lull in the middle with tracks like “Wolves (Love & Light)” failing to leave a lasting impact. Despite some forgettable moments, Chevelle’s craftsmanship shines on tracks like “Shocked At The End Of The World,” blending their signature sound with a fresh intensity.
Production-wise, Bright As Blasphemy surpasses its predecessor, “NIRATIAS,” with a polished, dynamic mix that showcases Chevelle’s growth. The album feels concise but could benefit from a more consistent tracklist. Revisiting the band’s discography, listeners may find their expectations exceeded or tempered by their latest offering. Ultimately, Bright As Blasphemy adds another set of compelling tracks to Chevelle’s repertoire, reaffirming their place in the rock music landscape.