Review of Molly Tuttle’s album “So Long Little Miss Sunshine”
Molly Tuttle, the Millennial Queen of Bluegrass, has taken a bold step by exploring pop sounds on her new album, “So Long Little Miss Sunshine.” For fans of traditional bluegrass, this may come as a disappointment. However, the album exceeds expectations, despite the departure from Tuttle’s bluegrass roots.
While Tuttle received critical acclaim for her bluegrass albums, she decided to venture into pop territory with the help of producer Jay Joyce. This move reflects her desire to explore new musical avenues and challenge herself creatively. Despite the current resurgence of bluegrass and rootsy music, Tuttle’s decision to pursue a more pop-oriented sound is a bold choice.
Tuttle’s transition to pop music is not entirely surprising, considering her previous work in folk and singer/songwriter genres. With her unmistakable talent as a guitarist and musician, Tuttle has always shown a willingness to push boundaries and experiment with different styles. While some may view this departure from traditional bluegrass as a loss, it presents a new opportunity for Tuttle to reach a wider audience and showcase her versatility as an artist.
“So Long Little Miss Sunshine” blends pop sensibilities with acoustic textures, creating a unique sound that straddles the line between contemporary folk and pop music. While some tracks on the album lean more towards pop, there are remnants of Tuttle’s bluegrass roots in songs like “Rosalee” and “Golden State of Mind.” Tuttle’s decision to embrace pop music was a conscious choice, and she does not attempt to disguise the album’s genre.
Despite some moments of cliché and overproduction, Tuttle’s acoustic flourishes shine through on the album. The infectious melodies and catchy hooks make “So Long Little Miss Sunshine” a standout in the world of adult contemporary pop. While it may not cater to die-hard bluegrass fans, the album’s success in the pop genre is undeniable.
As Molly Tuttle continues to evolve as an artist, fans can only speculate on what the future holds. Perhaps this foray into pop music will open new doors for Tuttle and attract a wider audience to her music. While some may long for her return to bluegrass, it is essential to embrace Tuttle’s artistic growth and appreciate her willingness to explore new musical territories.
In conclusion, “So Long Little Miss Sunshine” showcases Molly Tuttle’s versatility and creativity as an artist. While it may not align with traditional bluegrass expectations, the album’s success in the pop genre is a testament to Tuttle’s musical prowess. Whether she returns to her bluegrass roots or continues to explore new genres, Tuttle’s talent and passion for music will undoubtedly shine through in her future endeavors.