Pink Floyd member denies band’s label as progressive rock: “No, that’s not us”
Progressive rock, often characterized by its infusion of jazz, classical, and psychedelic elements, extended multi-part instrumentals with complex chord progressions, and thematic concept albums akin to symphonic rock operas, is a genre that has defined many bands. However, despite Pink Floyd’s legacy of albums like Animals, Dark Side of the Moon, Atom Heart Mother, and The Wall, founding member David Gilmour disputes the notion that the band falls under the progressive rock label.
In a recent interview with producer Rick Beato, Gilmour, now 79, expressed his reluctance to associate Pink Floyd with progressive rock. He dismissed the “prog rock” classification, stating that he never contemplated their music in those terms. According to Gilmour, progressive rock is a domain filled with technically proficient musicians who excel in their craft, exemplifying serious expertise and virtuosity in their playing. He cited Steve Howe of Yes as a prime representative of this genre but did not include Pink Floyd in this category.
Regarding Pink Floyd’s earlier work, Gilmour highlighted how the band had incorporated elements such as unusual chord progressions and odd time signatures long before the term “progressive rock” came into existence. Despite this, Gilmour maintained that he never felt aligned with the genre, expressing a detached stance towards labels in general. Reflecting on his younger self, he humorously suggested that he might have been a bit of a “grumpy old man in [his] 20s,” dismissing any association with the progressive rock label.
Additionally, Gilmour delved into the impact of money and success on the band, acknowledging the negative influence fame had on Pink Floyd. As the band skyrocketed to commercial and critical acclaim with albums like The Dark Side of the Moon, Wish You Were Here, Animals, and The Wall, Gilmour noted how the allure of wealth and recognition led to a sense of corruption within the group over time. He expressed regret over how material success had eroded certain aspects of their artistic integrity.
Despite Pink Floyd’s enduring legacy and the critical acclaim they have received over the years, Gilmour’s refusal to embrace the progressive rock label offers a unique perspective on the band’s musical identity. While their contributions to rock music are undeniable, their complex relationship with genre classifications and the trappings of fame shed light on the complexities of creative expression within the music industry.