Review of Creeper’s album ‘Sanguivore II: Mistress Of Death’
Creeper’s latest album, Sanguivore II: Mistress Of Death, carries the weight of living up to its predecessor, the original Sanguivore. For a band that has consistently outdone themselves with each new release, this sequel presents a different challenge by building upon established sound rather than branching out in a new direction. Although Creeper is no stranger to sequels, with American Noir being a spiritual successor to Sex, Death & The Infinite Void, the direct continuation of Sanguivore is a departure from their usual approach. Despite this, sticking to the familiar gothic stylings of the original album is not necessarily a negative choice.
Sanguivore marked a significant evolution in Creeper’s sound, embracing a more raucous and unapologetic hard rock vibe that showcases their versatility. Mistress Of Death doubles down on this gothic aesthetic, drawing listeners deeper into Creeper’s intricate world of vampire fantasies. The album follows a formula that Creeper has perfected over the years, complete with a power-ballad finale that showcases Hannah Greenwood’s vocal prowess. Even within this familiar framework, Creeper manages to deliver a collection of infectious and entertaining tracks that captivate from start to finish.
As you listen to Mistress Of Death, it becomes evident that Creeper has embraced the campier side of their music more than ever before. The infusion of humor and theatricality elevates the album’s energy, setting a playful tone throughout. From tongue-in-cheek lyrics to dramatic production choices, Creeper revels in the over-the-top nature of their sound. Each track is a masterclass in blending catchy melodies with gothic theatrics, creating an immersive experience for the listener. While the album does not stray far from Creeper’s established style, it serves as a testament to the band’s ability to consistently deliver high-quality music.
Mistress Of Death may not break new ground for Creeper, but it succeeds in celebrating what makes the band stand out. The album’s unapologetic embrace of its gothic themes and larger-than-life production makes it a thrilling listen from start to finish. Tracks like Blood Magick (It’s A Ritual) and Razor Wire showcase the band’s creative range while staying true to their signature sound. While some may view this album as a “filler” release, it ultimately cements Creeper’s reputation as one of the most captivating and entertaining acts in the music scene today.
Looking ahead, it’s clear that Creeper has reached the pinnacle of what they can achieve within the Sanguivore style. While Mistress Of Death serves as a satisfying sequel, further iterations may risk becoming stale. As the band continues to evolve and explore new musical territories, it’s essential to recognize the strengths of their existing catalog. Ultimately, Mistress Of Death stands as a testament to Creeper’s unwavering creativity and ability to captivate audiences with each new release.