’89 Film Review: Narrative Universality Transcends Era Setting

Lupis delves into the usual tropes of high school dramas, where pivotal events occur that shape the characters’ futures. However, the authenticity of the film sets it apart from other 80s-inspired movies by capturing a genuine sense of the era rather than relying on exaggerated nostalgia.

The ensemble cast of All Is Fine in ’89 breathes life into the film, portraying characters facing heavy issues such as domestic abuse, teen pregnancy, and sexuality with a raw vulnerability that resonates with the audience. Each character, though fitting into certain archetypes, is portrayed with depth and charm, making them relatable and engaging to watch. From Dylan Hawco’s rebellious Dean Marino to Tom Keat’s bully Cole Sullivan and Shelby Handley’s conflicted teacher Mrs. Applewood, each actor brings their character to life with authenticity.

While the film’s structure may seem straightforward, Lupis weaves a complex narrative that explores the characters’ inner struggles and growth. In many ways, All Is Fine in ’89 shares a spiritual kinship with iconic teen films like The Breakfast Club and Sixteen Candles, transcending its setting to deliver a universal story of teenage resilience and self-discovery. The title’s ironic implication of everything being “fine” for teenagers is not lost on the audience, yet the film imparts a message of hope and endurance for those navigating the challenges of adolescence.

With a rating of three and a half stars out of five, All Is Fine in ’89 is poised for digital distribution in early 2026, promising to reach a wider audience and resonate with viewers seeking a poignant coming-of-age story. Lupis’ directorial efforts shine through in this film, showcasing his ability to capture the essence of the 1980s while crafting a narrative that transcends its era, offering a timeless exploration of the teenage experience.