4 Instances We Craved More New Songs in ‘Wicked: For Good’

Following two movies, two TV specials, and a plethora of merchandise, fans of Wicked are still clamoring for more content from the beloved franchise. Specifically, there is a desire for more music. The second Wicked film, Wicked: For Good, featured two original songs: “No Place Like Home” for Elphaba (played by Cynthia Erivo) and “Girl in the Bubble” for Glinda (portrayed by Ariana Grande). While these additions were well-received and provided valuable insight into the characters, there are other moments and characters that could have benefited from new songs.

In musicals, characters burst into song when their emotions reach a level that mere dialogue cannot express. Throughout Wicked: For Good, there are numerous emotional arcs that could have been further explored through music. While it may have been unrealistic to include more than two new songs in the film, the possibilities are endless for fan’s imaginations.

One significant moment that could have been expanded upon was the revelation of the Cowardly Lion’s fear of Elphaba in Wicked: For Good. In the song “No Place Like Home,” the Lion interrupts Elphaba’s performance to share his backstory of being kidnapped as a cub. This moment could have been further explored through a dedicated song, shedding more light on the Lion’s past and his ongoing fears.

Similarly, Fiyero’s emotional journey in the film could have been enhanced through a new song. While he is featured in “As Long As You’re Mine,” there is ample room for deeper exploration of his feelings, especially regarding his relationships with Elphaba and Glinda. Fiyero’s internal struggle and search for purpose present fertile ground for an emotionally charged musical moment.

Another character that could have benefitted from a new song is Boq, who experiences a significant emotional shift early in Wicked: For Good. His decision to leave Nessarose and Munchkinland, only to be unable to depart due to travel restrictions, could have been further explored through music. A song delving into Boq’s internal turmoil and his reflections on his relationships and choices would have added depth to his character.

Lastly, the Wizard’s realization of his paternity and the consequences of his actions could have been heightened with a new song in Wicked: For Good. The revelation that he is Elphaba’s father, coupled with the realization of his role in her demise, presents a wealth of emotional complexity that could have been effectively conveyed through music. The Wizard’s internal conflict and the price he pays for his desires could have been further explored in a poignant musical number.

In conclusion, while Wicked: For Good provided fans with two new songs that enriched the storyline, there were several missed opportunities for additional music. Characters like the Cowardly Lion, Fiyero, Boq, and the Wizard all had moments that could have been enhanced through musical expression. As fans continue to engage with the Wicked universe, the desire for more songs and deeper insights into the beloved characters remains strong.