Top Picks of 2025: John G’s Favorite Albums – Punknews.org
In today’s crazy world, there are some bright spots that shine through the chaos, and I had the privilege of experiencing some of those in 2025. One highlight was attending Throw Summer Soiree 8 with the Dwarves and Schoolly-D – an event that left me in awe. Another unforgettable moment was interviewing the legendary Flabba Holt, one of the greatest bass players in history. Speaking with Mark of Devo was equally exciting, as was designing the special edition cover for the Dwarves’ RSD release.
As we navigate the ups and downs of life, it’s essential to listen to ourselves while avoiding foolish decisions. While I won’t offer any advice, I will share some noteworthy albums from 2025 that caught my attention.
Civil Rats’ “Get Outta Here!” is reminiscent of late ’70s NYC bands that graced CBGBs, blending punk and garage rock with witty humor. “Blank Chrome” by Blank Chrome delivers a powerful fusion of Stooges-meets-hardcore energy that leaves no room for contemplation. VOSH’s “Vault Vol. 1” exudes a gothic elegance that is both captivating and dangerous, with a standout cover of an Ozzy solo.
QWAM’s “Girls Aren’t Afraid of Blood” showcases a more mature and introspective sound from the art rock/new wave group, highlighting their growth and evolution. Men Without Hats’ “On the Moon” transcends time with their ’80s synth-pop vibes, adding a fresh, driving synth element that propels them to new heights. Ministry’s “The Squirrely Years Revisited” may face criticism, but its beefed-up sound and nostalgic appeal struck a chord with me.
The Alice Cooper Group’s “The Revenge of Alice Cooper” marks a reunion that captures the essence of their original power, despite some imperfections. Fucked Up’s “Year of the Goat” embarks on a daring journey, intertwining a complex narrative that showcases their boldness and creativity. L.A. Witch’s “Doggod” embraces a mystical rock aura that invites listeners on a dark and exhilarating journey.
Julia, Julia’s “Sugaring a Strawberry” channels Syd Barrett-era Pink Floyd with its haunting and atmospheric soundscapes that delve into uncharted territory. The Dissidents/D.O.V.E.’s “A Better World” pays homage to first wave punk and anarcho influences in a fresh and politically charged manner, honoring the late Bill Chamberlain’s legacy in the process.
Slaughterhouse’s “Sick and Tired” serves as a testament to their evolution and growth, blending elements of early hardcore with a modern punk sensibility. Maura Weaver’s “Strange Devotion” is a genre-bending masterpiece that traverses pop, indie rock, punk, and electro-funk realms, offering a diverse and immersive listening experience.
2025 brought forth a plethora of musical treasures that captivated audiences and pushed boundaries in creative ways. These albums stand as testaments to the diverse and vibrant music landscape of the year, offering listeners a chance to explore new sounds and ideas that resonate with the ever-changing world around us.