Imarhan discusses favorite gear for desert soundscapes

The Algerian desert rock band Imarhan faced some unique challenges in creating their latest album. The band shared that while recording a song, a power outage caused by strong winds forced them to start over as they record live. The use of a Peavey amp, weather conditions, and Stevie Ray Vaughan tapes all played essential roles in shaping their album.

Imarhan’s new release, Essam, is a blend of electronica, fuzzbox vibes, political themes, and ancient poetry. While some might label their music as desert blues, the band prefers the term “assouf,” which translates to nostalgia. This music genre reflects suffering, sadness, and hardship, similar to the feelings conveyed through blues music.

Communication with Imarhan’s members, particularly leader Sadam, who originates from the Tuareg ethnic group in Southern Algeria, can be challenging for Western media. The language barrier often leads to translations and simplifications, hindering natural communication. Despite these obstacles, Imarhan, along with other artists like Tinariwen and Mdou Moctar, have used their music to transcend language barriers and communicate their messages to a global audience.

Imarhan’s journey to becoming prominent figures in the desert-blues scene began in 2006. Initially struggling to break through the local music circuit, the band eventually gained recognition with albums like Imarhan, Temet, and Aboogi. Collaborating with prominent musicians like Damon Albarn further expanded their reach, leading to a broader audience for their music.

Essam, Imarhan’s fourth album, showcases a fusion of traditional assouf style with modern elements like hypnotic chants, acoustic guitar melodies, and electronica influences. With the release of Essam, the band aims to reach a more global audience while maintaining the authentic roots of their music. Evocative and immersive, the album captures the essence of the desert landscape, immersing listeners in its rich tapestry of sound.

Despite opportunities to record in prominent studios worldwide, Imarhan chose to remain true to their roots by recording Essam at their studio in Algeria. This decision reflects their commitment to preserving their cultural heritage and authenticity in their music. As they stand on the threshold of wider recognition in the music industry, Imarhan’s dedication to their craft and roots sets them apart as heralds of a unique musical tradition.