Sam Smith pays tribute to Chaka Khan, George Michael, and Bonnie Raitt during Castro residency.
While observing Sam Smith’s performance at the Castro Theatre, it was evident that they exuded a sense of nostalgia, appreciation, and perhaps even joy during their nearly 90-minute set on Friday. Embodying various R&B and soul singers, Smith displayed a profound connection to these musical genres and the artists who have paved the way for contemporary musicians.
What struck me the most about Smith’s performance was the seamless connection between iconic figures like the Beatles, Dusty Springfield, George Michael, and Smith themselves. Despite hailing from Britain, these artists grew up surrounded by American music, particularly rhythm and blues, and drew inspiration from Black musicians who shaped the landscape of rock-and-roll. Unlike some American artists, these British talents did not grapple with the same racial prejudices when interpreting or performing this genre of music.
George Michael, in particular, continued the legacy of “blue-eyed soul” music, deftly blending elements of rhythm and blues with his unique style. Notably, he collaborated with the legendary Aretha Franklin on a chart-topping duet, showcasing his prowess in the realm of soul music. Smith, a singer-songwriter with a striking androgynous tenor voice, proudly takes the baton from these formidable predecessors, delivering soulful performances with a trio of talented Black backup singers by their side.
Launching their show with signature ballads like “Lay Me Down” and “I’m Not the Only One,” Smith set a dramatic tone, donning a flowing cloak and tricorn hat. Transitioning into unreleased tracks like “My Guy,” Smith delighted the audience by showcasing a rare “happy song,” accompanied by a vibrant ensemble of leather shorts and go-go boots. The setlist resonated with energetic hits like “Dancing With a Stranger,” the reality TV-inspired “I’m Not Here to Make Friends,” and captivating covers of Erasure’s “A Little Respect” and Chaka Khan’s “Ain’t Nobody.”
During a brief intermission, the band and backup singers paid homage to San Francisco’s disco history with a rendition of Sylvester’s “You Make Me Feel (Mighty Real).” Notably, the show featured a recording of Harvey Milk’s iconic “You Gotta Give Them Hope” speech, underscoring the significance of queer history and activism.
Recounting a poignant moment at Elton John’s estate in the south of France, Smith shared an anecdote about being moved by Bonnie Raitt’s rendition of “Angel From Montgomery.” Encouraged by John to perform the song, Smith’s emotional delivery in a shimmering black dress captivated the audience, infusing the performance with soulful depth and vulnerability.
As the show drew to a close with hits like “Stay With Me” and “Hold On,” Smith bid farewell with genuine gratitude and excitement, celebrating the reopening of the iconic Castro Theatre. Embracing San Francisco’s rich legacy of queer identity and inclusivity, Smith’s heartfelt performance transcended musical boundaries, solidifying the venue as a revered sanctuary for artistic expression and community celebration.