Former stonemason Mick Flannery deeply involved in shaping his musical career
Several years ago, Mick Flannery transitioned from being a stonemason to a full-time musician, demonstrating a strong work ethic throughout his life. His latest project involves not only composing music but also writing the script for the upcoming musical drama, The House Must Win. Collaborating with director Julie Kelleher, Flannery has been deeply involved in the development of the show, going as far as to attempt handiwork during rehearsals. Julie Kelleher humorously recalls having to tell him to put down the drill as he is eager to construct things.
The House Must Win is a new rendition of the 2019 play Evening Train, which is based on Flannery’s well-received 2007 concept album of the same name. Inspired by the story of brothers Frank and Luther, as well as Grace, caught in between due to Luther’s gambling addiction, the show is set in a small Irish town during the 1970s. While Flannery admits he isn’t a fan of musical theater, The House Must Win features more songs than Evening Train, presenting a compelling narrative through music. The show will debut at the Pavilion Theatre in Dún Laoghaire before moving to the Everyman in Cork.
Flannery expresses humility regarding his venture into scriptwriting, emphasizing the difference between writing songs and scripts. He jokes about people criticizing his drafts, highlighting the challenging but rewarding process of crafting a compelling narrative for the stage. Despite his self-deprecation, Flannery’s talent for storytelling shines through, supported by a talented cast including Tommy Tiernan, Ferdia Walsh-Peelo, and John McCarthy. Working closely with music supervisor Liam Robinson, Flannery praises the musical arrangements, reflecting on how they have inspired him to create a double album of the show’s setlist.
Julie Kelleher, as the director, brings a wealth of experience to The House Must Win. While embracing the challenges of directing a musical, she appreciates Flannery’s willingness to collaborate and engage with the creative process. Kelleher credits Robinson for enhancing the musical elements of Flannery’s songs, creating a theatrical world that complements the storytelling. She commends Flannery for infusing Irish literary tradition with his intimate songwriting, offering a unique contribution to the musical genre.
Flannery values the collaborative aspect of theater-making, contrasting it with the solitary nature of songwriting. He appreciates the actors’ input in shaping his vision, acknowledging their efforts in enhancing the authenticity of the characters. The House Must Win promises to be a captivating experience, blending Flannery’s poetic storytelling with compelling performances to provide a deeply emotive and immersive theatrical production.