New book uncovers unheard Velvet Underground song
A fresh perspective on the Velvet Underground emerges from Richie Unterberger’s latest book, “Do What You Fear The Most,” shedding light on previously undiscovered facets of the band’s history. While much attention has been dedicated to the band’s frontman, Lou Reed, Unterberger’s exploration delves deeper into the contributions of John Cale and an array of peripheral figures who played crucial roles in the Velvet Underground’s rise to prominence within New York City’s avant-garde scene.
Among the wealth of discoveries made within Reed’s archives, Unterberger stumbled upon a hidden musical gem that is capturing the attention of fans and enthusiasts alike. During Phil Milstein’s collaboration with Ryan H. Wash on a mystery project for the Velvet Underground Appreciation Society, an unheard recording by the band was unearthed, along with a brand-new song that had never before seen the light of day. Referred to as “I Don’t Care Much for the Things That You Do” or “I Don’t Really Care About You,” this mysterious track is described as “pretty darn fantastic” by those who have had the privilege of experiencing it.
These revelations, as detailed in Unterberger’s book, provide insights into the circumstances surrounding the recording of this enigmatic song. Believed to have originated during the band’s time in the Boston area, the tape captures a moment of musically innovative exploration by the Velvet Underground in August 1967. Despite its imperfect sonic quality, the recording offers a unique glimpse into the band’s evolution following Nico’s departure. Featuring unreleased songs and a captivating arrangement, this recording stands out as a testament to the band’s experimental spirit.
Delving further into the specifics of the song itself, Unterberger paints a vivid picture of its musical characteristics. With a herky-jerky melody and an ominous instrumental break, the track showcases the band’s willingness to venture into uncharted territories, reminiscent of their iconic sound. Additionally, the song’s thematic elements touch upon the fluid sexual identity that would later become a signature feature of Lou Reed’s songwriting, adding a layer of complexity to its lyrical content.
While Unterberger acknowledges that “I Don’t Care Much for the Things That You Do” may not match the catchiness of the band’s greatest hits, he describes it as undeniably “vicious” in its delivery. The potential significance of this newfound song to the Velvet Underground’s legacy cannot be understated, making it a notable discovery that rivals even the impact of Todd Haynes’ celebrated documentary on the band. As fans eagerly anticipate the release of Unterberger’s book, the unveiling of this hidden gem promises to offer a fresh perspective on the Velvet Underground’s enduring legacy.