Where have all the protest songs gone? They are featured on our newest best new music playlists.
In times of distress, the question often arises – “Where are all the protest songs?” The belief that we can tackle issues with just three chords and some clever lyrics seems to linger among ’60s nostalgics. However, the truth is that protest songs still exist, along with a mix of unprotesty tunes.
From local artists to non-local picks, there is a range of musicians creating impactful music that resonates with today’s turbulent times. Molly Brandt’s “One Helluva County” from her album Museum of Being delves into the dark corners of U.S. history, acknowledging the bloodshed and lack of liberty while maintaining a glimmer of hope for the future. Dillinger Four’s “Don’t Happy Be Worry” returns after 18 years with a catchy pop-punk track that encapsulates frustrations without specifying their cause, making it relatable to various irritants we face.
Secret Rivers, a collaboration between activist and poet Guante and St. Paul MC SEE MORE PERSPECTIVE, brings a thought-provoking song titled “Worthy of the Stone,” which references the complexities of power dynamics and control. With lyrics dedicated to those facing oppression, the track challenges the status quo with a compelling message. Meanwhile, Static Panic’s “One” offers a frenetic blend of jitter-funk and electro-pop, capturing a sense of funky anxiety in a short but impactful duration.
Venturing beyond local talent, Carsie Blanton & the Burning Hell’s “Everything Is Great” provides a contrasting view on protest songs, while Lucy Dacus’s “Planting Tomatoes” delves into the inevitability of death with a sprightly attitude. MIKE, Earl Sweatshirt, & Surf Gang’s collaboration “Minty” offers a unique blend of rap-rock with hypnotic production, while Nia Archives’s “Boys in Blue” addresses pressing issues with an insistent guitar hook and potent lyrics.
In contrast, Vince Staples’s “Blackberry Marmalade” delves into provocative themes with a rap-rock fusion that challenges listeners to confront uncomfortable truths. On the other end of the spectrum, Drake’s “Janice STFU” receives criticism for its narcissistic undertones and lackluster execution, prompting listeners to question the allure of his music in the modern rap landscape.
In conclusion, protest songs continue to hold relevance in today’s society, offering a powerful platform for artists to address pressing issues and inspire change. Whether through local talents or non-local picks, the music landscape remains diverse and thought-provoking, each track offering a unique perspective on the world we inhabit. As we navigate turbulent times, these songs serve as a reminder of the enduring power of music to provoke thought and incite action.