Ecca Vandal reveals upcoming album and seeks followers to unfollow
Rock music fans are constantly on the lookout for the next big thing, especially when it involves women who are reshaping the genre. Over the years, artists like Paramore and St. Vincent have made their mark on indie, alternative, pop, and traditional rock spaces. The latest addition to this lineage is Ecca Vandal, who is set to release her new album LOOKING FOR PEOPLE TO UNFOLLOW on May 22 via Loma Vista Recordings.
Ecca Vandal embodies shock value in every sense of the word. From her bright blue hair and unique style to her incredible vocal range that effortlessly transitions from soulful melodies to intense screams, she is a force to be reckoned with. Despite fitting the mold of a stereotypical rock artist on paper, her authenticity shines through when she takes the stage. There’s no pretense or façade, just a raw, honest invitation for listeners to connect with her on a deeper level.
As a Sri Lankan Tamil–Australian artist emerging from Melbourne’s DIY punk scene, Vandal’s music defies easy categorization. Drawing inspiration from punk, hip-hop, jazz, and electronic genres, she explores themes of identity, power, and self-expression with purpose. Influenced by a diverse range of artists, from Nina Simone to Fugazi, Vandal embraces contrast in her work. This time around, her focus is on subtraction—letting go of anything that drains your energy or distorts your sense of self.
Vandal’s latest singles, including “SORRY! CRASH!” and “CRUISING TO SELF SOOTHE,” capture her unfiltered energy and refusal to conform to commercial standards. Each track on the album serves as a platform for unapologetic self-expression, emphasizing the importance of speaking your truth without censorship. “BLEED BUT NEVER DIE” stands out as a lyrical anthem that showcases her vocal versatility, seamlessly blending smooth singing with powerful rock choruses.
Another fan favorite, “CRUISING TO SELF SOOTHE,” captivates listeners with its intense instrumentation and fearless attitude. Vandal’s defiance against being boxed in is evident in the high-pitched vocals and aggressive guitar riffs that drive the song forward. On the other end of the spectrum, “THEN THERE’S ONE” highlights a more electronic and experimental side of her music, showcasing her South Asian cultural influences in a minimalistic format.
The album’s creation process is just as intentional as its content. Vandal and producer Richie Buxton worked on the project in his childhood bedroom in Melbourne, tuning out external pressures and distractions. They focused on creating a space where artistry could flourish without constraints, free from industry expectations and digital noise. By disconnecting from the online world, they were able to tap into a raw, tangible creativity that resulted in a truly authentic body of work.
LOOKING FOR PEOPLE TO UNFOLLOW isn’t just an album; it’s a statement. As Ecca Vandal prepares for upcoming performances at Coachella, Lollapalooza, and a tour with Deftones, she remains grounded in her artistic vision. Instead of chasing fleeting trends, she’s focused on making a lasting impact in the music industry by staying true to herself and her creative process. Follow Ecca Vandal on social media to stay updated on her latest releases and performances.