DANI FILTH of Cradle Of Filth discusses “The Screaming Of The Valkyries”
With the upcoming release of Cradle Of Filth’s 14th album, “The Screaming Of The Valkyries,” frontman Dani Filth expressed his excitement during an interview. The album had been completed in July, but the anticipation surrounding its release has him feeling reinvigorated. He mentioned that the band had already unveiled three singles from the album – “Malignant Perfection,” “To Live Deliciously,” and “White Hellebore” – which had garnered positive reactions from fans.
Filth discussed the addition of new members Zoe (Marie Federoff – keyboards, vocals) and Donny (Burbage – guitars) to the band, emphasizing the fresh perspective they bring. Although they had been part of the band for three years, their contributions to the songwriting process had breathed new life into Cradle Of Filth’s sound. Filth acknowledged that incorporating Zoe’s vocals strategically throughout the album had elevated certain tracks like “White Hellebore,” “Non Omnis Moriar,” and “Demagoguery.”
When asked about the inspiration behind the album’s title, “The Screaming of the Valkyries,” Filth delved into the thematic depth of the record. He explained that the title stemmed from a line in the song “When Misery Was A Stranger,” alluding to a catastrophic event akin to Ragnarok. Despite the ominous connotations, Filth clarified that the album’s underlying message was more optimistic, albeit ending on a dark note as a cautionary tale.
Contrary to popular belief, Filth confirmed that the album was not a concept album, but rather a collection of standalone songs. He emphasized that the songwriting process was organic, with band members contributing freely to the creation of the music. Filth highlighted the collaborative effort involved in crafting the album, culminating in a cohesive and versatile sound.
As Cradle Of Filth prepared for their upcoming tour in the US followed by festival shows in Europe, Filth hinted at the possibility of additional shows in South America. He mentioned tentative plans for the band’s itinerary, indicating a focus on touring in America for the current year. However, Filth remained open to the idea of adding more European shows in the future.
In closing, Filth expressed his enthusiasm for the band’s new album and their upcoming tour dates, demonstrating a commitment to delivering an electrifying live performance for their fans worldwide. With a collective spirit driving their creative process, Cradle Of Filth continues to push the boundaries of their signature sound, promising an exciting musical journey for listeners.