January 2025: Noise Everywhere

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In kicking off the new year, 2025 gifted us a record-breaking month in terms of excellent music releases. Despite starting with a slight hiccup, we were soon bombarded with a slew of fantastic albums, setting an exciting tone for what could potentially be a vibrant musical year. The array of genres covered in January was truly remarkable.

Zach Phillips, known for his work in the project Fievel Is Glauque, introduced us to an enchanting world with his jazzy, dreamy, and folk-inspired album. The escapism provided by his music was truly captivating and set the bar high for the year’s releases.

Saxophonist Ayumi Ishito from Japan, now based in Brooklyn, teamed up with drummer Kevin Shea and guitarist George Draguns to deliver a thrilling jazz experience in “Roboquarians, Vol. 2.” The innovative approach to music showcased in this album was nothing short of phenomenal and left a lasting impact on listeners.

“Am I in Trouble?” by Spectrum brought forth a unique blend of genres, ranging from blackgaze to folk prog rock and experimental pop. Steve Wiener, the mastermind behind this project, seamlessly intertwined these diverse styles to create a cohesive and impressive album reminiscent of The Chemical Mind.

Obscure Sphinx, known for their outstanding debut album “Anaesthetic Inhalation Ritual,” did not disappoint with their latest EP “Emovere.” The band continued to deliver on their powerful and impactful sound that has garnered them critical acclaim over the years.

Asian Glow surprised audiences with their album “11100011,” a display of noisy bedroom pop from South Korea that defied expectations with its charm and character. The album resonated with listeners, proving that sometimes the most unexpected music can leave the biggest impression.

Following the success of “Preacher’s Daughter,” Ethel Cain took a bold step with “Perverts,” a southern gothic nightmare of an album that left a haunting yet enthralling impact on its audience. The dark and intense nature of the music drew parallels to the best of television’s True Detective series.

Haunted Horses’ “Dweller” showcased a visceral and sludgy noise punk sound that was both dark and moving, solidifying their place in the realm of experimental music. The album’s raw energy and intensity captured the essence of the genre with a fresh perspective.

“Summer Ends. Some Are Long Gone.” by Trauma Bond marked the band’s transition from EPs to a full-length album, delivering an extreme metal experience that left listeners in awe of its intensity and creativity. The album pushed boundaries and set a new standard for the band’s future endeavors.

French outfit Toru wowed listeners with their mathy experimental rock in “Velours Dévorant,” a testament to their musical prowess and innovation. The album’s intricate compositions and intricate soundscapes showcased the band’s unique approach to the genre.

U.e.’s “Hometown Girl” stood out for its exceptional sound design and fusion of jazz, ambient, and pop elements, creating a mesmerizing and enchanting listening experience. The album captured the essence of magical music that takes listeners on a journey of sound and emotion.

Son Lux’s “Risk of Make Believe” continued to solidify the band’s reputation as a musical powerhouse, offering a tantalizing EP for fans hungry for more after their Tomorrows trilogy and soundtrack releases. The album was a testament to the band’s evolution and growth over time.

Shedfromthebody rounded off the month with “Whisper and Wane,” a mesmerizing collection of songs that showcased the band’s talent for creating immersive and atmospheric music. The album was a fitting finale to a month filled with outstanding releases that set the stage for an exciting year of music ahead.

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