Jonathan Bree and Princess Chelsea reunite for a new dark single, “Live to Dance”
Jonathan Bree has introduced a fresh track called Live To Dance, renewing his ongoing musical collaboration with Princess Chelsea. The single presents itself as a somber and captivating piece of electronic pop, characterized by its minimalistic tones that move at a deliberate pace. The ambiance is stripped down, the production is uncomplicated, and the execution is personal.
Live To Dance opens with an underlying synth line that evokes a sense of lurking in the shadows. The Bass VI, heavy on reverb, adds a brooding undertone. Bree and Princess Chelsea exchange delicate vocal melodies that entwine around each other, creating an atmosphere of subdued tension. While the song may seem straightforward at first glance, it delves deeper, touching upon themes of longing, intimacy, and influence.
The track delves into the notion of dance as a form of ritual. Bree utilizes rhythm as a means of emotional grounding, guiding the listener towards the central theme of physical connection. Princess Chelsea provides an eerie contrast, their combined vocals hinting at a balance between restraint and liberation in movement. The composition remains understated yet maintains a persistent rhythmic undertone throughout.
Although Live To Dance is succinct, the tension gradually intensifies as the arrangement unfolds. Bree strategically leaves gaps between instrumental elements to amplify their impact. The production adheres to a structured pattern that feels intentional and meticulously crafted. This methodical approach enhances the vocal dynamics and sharpens the focus on the narrative.
Accompanying the song is a new music video that delves into themes of fantasy and introspection. Bree and Princess Chelsea find themselves seated in an almost empty cinema, watching a fictional 1960s noir film. Two women engage in a dance on the screen while a male character observes silently. Bree draws inspiration from classic visual motifs, reinterpreting them through a contemporary lens.
Referencing Duran Duran’s The Chauffeur, a long-standing source of fascination for Bree, the production of the video portrays the duo mirroring the slow choreography depicted in the film reel. The final scenes blur the lines between observer and participant, echoing the thematic essence of the song.
The project was a collaborative effort with director Marc Swadel and cinematographer Balázs Weidner, known for their work on Duran Duran’s Anniversary video. Swadel’s portfolio includes collaborations with prominent acts such as Chemical Brothers, Sparks, and Crowded House, showcasing his diverse range in visual storytelling.
Jonathan Bree’s musical journey began in New Zealand’s indie scene, influenced early on by his cousin Mark Lyons of The Nudie Suits. His foray into live performance commenced at the age of twelve as the drummer for Lyons’ band The Plaster Saints. Embarking on his creative endeavors, Bree co-founded Lil’ Chief Records in 2002 with Scott Mannion, leading to the formation of The Brunettes alongside Heather Mansfield in 1998.
The Brunettes’ discography, comprising EPs and albums like the Mars Loves Venus EP and Holding Hands, Feeding Ducks, garnered a dedicated following within the indie landscape. The band’s extensive tours alongside acclaimed acts like The Shins, Rilo Kiley, and Beirut amplified their visibility, culminating in a performance at the Big Day Out festival in 2006.
Jonathan Bree’s transition into a solo artist paved the way for distinctive releases like The Primrose Path and A Little Night Music. The breakthrough single You’re So Cool achieved global recognition, with its masked performance visuals amassing millions of views. Live To Dance not only enriches Bree’s repertoire but also cements his enduring partnership with Princess Chelsea, a prominent figure in New Zealand’s indie music realm.