12 Questions with NAT REID from LIBBIANSKI – December 2025 – 100% ROCK Magazine
Emerging from the vibrant Aotearoa shoegaze scene, Libbianski are exploring new horizons with their upcoming EP EP1, set to be released on December 5, 2025, through their home label Over The Hill Records. The band’s latest collection, recorded and produced in their personal studio, captures the raw essence of their evolving three-piece lineup and signifies the next phase in a journey that has been gaining recognition since their debut in 2024 with Useless Splendour. Bassist Nat sheds light on the new music, influences, and more…
When asked about their latest release, Nat mentions that as a now three-piece band, they have embraced the DIY ethos, adding subtle nuances that a keen listener might pick up on during subsequent listens. This self-produced EP holds hidden nuggets that reveal themselves over time, reflecting the band’s evolution.
Reflecting on his musical journey, Nat attributes his passion for music to familial influences and a diverse musical upbringing. While he never aspired to be a musician per se, he found solace in having a creative hobby. Drawing inspiration from artists like Willie Nelson and local talents such as Garageland and The Coolies, Nat’s eclectic taste shapes Libbianski’s unique sound.
When questioned about dream collaborations, Nat cheekily mentions resurrecting Sean Bonniwell to explore his intriguing songwriting style. He expresses admiration for Bonniwell’s band, The Music Machine, and their pioneering sound, suggesting a collaborative effort would be a valuable learning experience.
Outside the studio, Nat enjoys splurging on random purchases and engaging in lively conversations at a local pub – a stark contrast to his creative pursuits. Despite his love for music, he humorously mentions that if given the chance, he would explore a career as an international spy agent, highlighting his diverse interests.
Describing Libbianski’s music as a blend of shoegaze and grunge with elements of ’90s and contemporary alternative rock, Nat acknowledges comparisons to Fleshwater and Trauma Ray. He welcomes feedback from fans and critics, eager to refine their sound based on audience perceptions.
When it comes to band dynamics, Nat paints a picture of a self-sufficient group with no designated roles. Their bond transcends traditional conventions, allowing each member the freedom to express themselves. He downplays the idea of being starstruck, emphasizing the importance of treating all artists as equals, regardless of stature.
For Nat, the best part of being a musician lies in the joy of creating music that resonates with others. Reflecting on his career, he dismisses the notion of regret, noting that every experience, successful or not, contributes to personal growth and learning.
In parting, Nat shares his enthusiasm for discussing New Zealand’s music scene and recommends some lesser-known local bands, underscoring the importance of supporting emerging talent. He acknowledges the challenge of dissecting song meanings but emphasizes the deeper connection music fosters between artist and audience.
Overall, Nat’s insights offer a glimpse into the creative process and camaraderie that define Libbianski’s musical journey, setting the stage for their EP1 release and future endeavors.