Guitarist holding back ‘greatest album of all time’ until fans pay $200 per song
time, never to be heard, never to be released. If people want my music, and think they’re punishing me by not buying it because of the price, it matters not to me. They’re the ones who will lose out.”
Vincent also doubled down on his boasts, comparing “Guitarmaggedon” to legendary albums like “Meet the Beatles,” Led Zeppelin’s “II,” Jimi Hendrix’s “Are You Experienced,” Jeff Beck’s “Truth,” Cream’s “Wheels of Fire” and “Pink Floyd etc.”
“The only difference is these albums are generation tested and have the benefit of fermentation of time. But as for impact and perfection from the first song to last, ‘Guitarmaggedon’ is a classic,” he said.
Vincent is best known for his work as a guitarist for KISS, appearing as The Wizard on 1982’s “Creatures of the Night” and without makeup and costumes on 1983’s “Lick It Up.” He joined the Rock and Roll Hall of Fame group as a replacement for Ace Frehley, then was replaced by Mark St. John in 1984. Vincent also contributed as a songwriter to KISS’ 1992 album “Revenge.”
He released two albums as Vinnie Vincent Invasion during the ‘80s glam metal era, and also collaborated with various artists like Laura Nyro, Peter Criss, John Waite, The Bangles, Was (Not Was), and Felix Cavaliere, who attended Syracuse University. Reports claim that he began his career as a staff songwriter for television programs like “Happy Days” and “Joanie Loves Chachi.”
Vincent’s decision to release “Judgment Day Guitarmaggedon” song by song at $200 each has sparked controversy and mixed reactions among fans, musicians, and music industry professionals. Some applaud his approach as a means of fighting against illegal downloads and streaming services that have affected artists’ income over the years, while others criticize the high price tag, labeling it as elitist and exclusionary.
The hefty price tag of $200 per song, with at least 18 songs making up the full album, means that purchasing the entire record would cost fans upwards of $3,600. Vincent’s argument that each CD single is worth more than most entire albums may resonate with some fans who value collectible physical media, but others find the price prohibitive and see it as a barrier to accessing his music.
As Vincent stands firm on his decision, declaring that the album will remain unreleased if fan support is lacking, the music industry continues to grapple with changing dynamics brought about by technological advancements and shifting consumer behaviors. The debate over art’s value, accessibility, and pricing rages on, with Vincent’s bold stance serving as a focal point for discussions surrounding creativity, commerce, and the legacy of artists in the digital age.