Review of Van Morrison’s claim that someone attempted to sell him a bridge – Rock & Blues Muse

The latest offering from Van Morrison, “Somebody Tried to Sell Me a Bridge,” may leave fans wondering if the legendary musician is simply going through the motions with yet another album release, but rest assured, the 80-year-old performer is still at the top of his game. While it may seem like Morrison is vying with the likes of Willie Nelson and Neil Young for the most output in the final stages of their careers, this album is a testament to his enduring talent and creativity.

Released on January 23, this 20-track album is a deep dive into Morrison’s roots in blues, a genre that has always played a significant role in his musical journey. Fans of his earlier work with the group Them will recall his blues-based rock and soul beginnings, and while Morrison has explored various genres like jazz, rockabilly, R&B, folk, pop, Celtic, country, and skiffle over the years, blues has always been an underlying influence in his music.

With legends like Taj Mahal, Elvin Bishop, and Buddy Guy making appearances on the album, Morrison pays homage to the blues with covers of songs by Eddie “Cleanhead” Vinson, Sonny Terry, Brownie McGhee, and BB King, among others. Tracks like “Kidney Stew Blues,” “Can’t Help Myself,” and “When It’s Love Time” showcase Morrison’s deep connection to the genre.

An unexpected highlight of the album is Morrison’s unique interpretation of Fats Domino’s “Ain’t That a Shame,” where he slows down the tempo and infuses the song with emotional depth, accompanied by female gospel singers. This fresh take on a classic demonstrates Morrison’s ability to breathe new life into well-known songs.

The album also features covers of songs by John Lee Hooker, Leadbelly, and Blind Blake, further showcasing Morrison’s knowledge and appreciation of blues history. Songs like “Deep Blue Sea” and “On a Monday” bring a new energy to these classic tracks, enhanced by the collaboration with artists like Taj Mahal.

While there are a few original compositions on the album, the focus is clearly on Morrison’s reverence for the blues and his desire to pay tribute to the artists who have influenced him over the years. Tracks like “Monte Carlo Blues,” “You’re the One (That I Adore),” and “I’m Ready” feature Morrison’s signature vocals and showcase his unwavering passion for the music that has defined his career.

At over 90 minutes long, “Somebody Tried to Sell Me a Bridge” is a testament to Morrison’s enduring talent and commitment to his craft. While some may question the need for yet another album from the iconic performer, the depth and intensity of this release prove that Van Morrison is still a force to be reckoned with in the world of music.