Woman called ‘dishwasher’ on TikTok by HST responds to Louis Theroux Netflix documentary
Louis Theroux’s recent documentary, “Inside The Manosphere,” has sparked controversy and garnered attention for its exploration of toxic masculinity. One particular influencer featured in the film, known by the pseudonym HS, has faced backlash for referring to an OnlyFans model as a ‘dishwasher.’ The woman in question, identified as Kacey May, has responded to the derogatory comment on social media.
In the documentary, HS, whose real name is Harrison Sullivan, admits to intentionally making offensive statements in his videos to attract attention and generate income. Despite being labeled as ‘racist,’ ‘misogynistic,’ and ‘homophobic,’ HS remains unbothered and continues to provoke with inflammatory remarks. One such instance involves his demeaning reference to content creator Kacey May, calling her his ‘dishwasher and cleaner.’
Kacey May’s response to the derogatory term was a nonchalant Instagram post depicting her vacationing in Marbella and appearing in a Netflix documentary at a young age. Her caption, “just a dishwasher tbf x,” seemed to mock the insulting remark made by HS. Additionally, Kacey, alongside model Ellie Nutts, shared a video boasting about their Netflix appearance with the caption, “We’re on Netflix and you’re not xx.”
The controversy further unfolds in the documentary as HS expresses disgust towards women who engage in creating explicit content online, such as OnlyFans. Louis Theroux, the filmmaker, highlights HS’s hypocritical stance by pointing out his involvement in profiting from OnlyFans girls through an agency. Despite his criticism, HS claims that his actions are solely driven by a desire for ‘clout,’ dismissing any ethical concerns.
In response to the criticism following the documentary, HS defended his provocative behavior by emphasizing the financial incentives it provides. He expressed frustration towards viewers who fail to recognize that his controversial statements are calculated to stir reactions and boost his earnings. Addressing a specific moment in the film where he mentions disowning his daughter for pursuing an OnlyFans career, HS justifies his actions as purely motivated by financial gain.
In a social media post, HS acknowledged his involvement with OnlyFans girls but denied endorsing adult content or pornography. Drawing a parallel to investment decisions, he suggested that engaging in lucrative opportunities, even if morally questionable, is justified by the financial benefits. Despite facing scrutiny for his inflammatory remarks and controversial views, HS stands by his actions, claiming they enable him to sustain a lavish lifestyle.
The unfolding drama surrounding HS’s portrayal in Louis Theroux’s documentary sheds light on the complexities of online influence, toxic masculinity, and ethical boundaries in the digital age. As viewers grapple with the implications of HS’s behavior and statements, the conversation surrounding controversial content creators like him continues to evolve.