Kim Gordon embraces trap music in latest album ‘PLAY ME’

Kim Gordon, known for her role in the groundbreaking band Sonic Youth, has carved out a unique niche for herself in the music world. Despite her iconic status in the industry, she doesn’t consider herself a traditional musician. Gordon’s journey began after art school when she immersed herself in New York’s avant-garde music scene, eventually forming Sonic Youth with like-minded individuals.

Gordon’s approach to music has always been unconventional, focusing more on creating meaning through noise and disorder rather than conforming to traditional harmonies and structures. This unconventional approach is what sets her apart as more of an artist than a musician. As a young bass player, I myself looked up to Gordon as a pioneer in the industry, inspired by her non-traditional path to mastering the bass.

Following Sonic Youth’s breakup in 2013, Gordon has since shifted away from the realm of rock music. Now, at 72 years old, she continues to push boundaries and explore new artistic territories. Her latest solo album, “PLAY ME,” delves into industrial dub and rap, tackling themes such as technology, politics, and feminism. Collaborating with producer Justin Raisen, known for his work with diverse artists like Lil Yachty and Sky Ferreira, Gordon creates a signature sound that is both innovative and thought-provoking.

The album’s title track, “PLAY ME,” stands out with its infectious saxophone riff and introspective lyrics that critique the commodification of music in the digital age. Gordon’s sharp commentary on the phenomenon of Spotify playlists and the impact of streaming platforms on music consumption is both timely and poignant. In an era where music is often relegated to background noise, Gordon’s album serves as a stark reminder of the value of artistry and intentionality in music-making.

While some tracks on “PLAY ME” successfully blend industrial trap elements with Gordon’s satirical lyrics, others fall short of the mark. Songs like “BUSY BEE” and “SQUARE JAW” showcase Gordon’s versatility and creativity, blending different genres seamlessly. However, tracks like “BLACK OUT,” “POST EMPIRE,” and “DIRTY TECH” feel disjointed and lack the coherence of the album as a whole. The juxtaposition of these tracks with more complex offerings like “NOT TODAY” highlights the album’s occasional inconsistency in terms of melodic depth and storytelling.

Overall, Kim Gordon’s “PLAY ME” is a testament to her enduring creativity and willingness to experiment with new sounds and genres. As she continues to push boundaries and challenge societal norms through her music, Gordon remains a beacon of inspiration for artists and musicians alike. Her fearless exploration of the intersection between art and music ensures her legacy as a trailblazer in the industry for years to come.