Dave Graney and Clare Moore delicately dance with rock on new album – Backseat Mafia

Dave Graney and Clare Moore have executed a delicate pirouette with rock and an arched brow in their latest album titled ‘Laburnum of the Mind’. Released without any motive for immediacy or the pursuit of catchy hooks, this album constructs a unique world filled with grooves, glances, and offbeat observation, inviting listeners to explore it at their own pace. Graney and Moore maintain their sharp, detached, and humorous outlook, keenly observing the absurdity of the world around them, which forms the essence of their work.

The duo’s approach to music has always been distinctively carefree, disregarding conventional rules of hits or trends, and the same is evident in ‘Laburnum of the Mind’. The album commences with an emphasis on groove and implication before delving into abstract and introspective territories. While Graney exudes sartorial splendor, extravagance, and deliberate posing, Moore’s steady rhythms add a cool and composed demeanor to the music. This album exudes grandeur, elegance, and a touch of defiance, characterized by its sharp wit and sophistication.

Described as a rock record by Graney and Moore themselves, the album’s influences range from The Doors to Queens Of The Stone Age, showcasing a diverse blend of musical inspirations. Recorded in Melbourne, ‘Laburnum of the Mind’ features all instruments played by Graney and Moore, with mistLY guitarist Stuart Perera contributing to two tracks. The album was mixed and mastered meticulously to bring out the subtle nuances and complexities of each composition.

The title track, ‘My ESV (Estimated Street Value)’, sets the stage for Graney’s dry, sardonic narrative style and wry sense of humor. Laced with self-deprecatory elements and cynical undertones, this song embodies Graney’s cool and theatrical essence. ‘Hits Are The Worst’ challenges the conventional perception of hit songs while maintaining a catchy Latin vibe that juxtaposes the message with the technique. The accompanying video captures the duo’s enigmatic presence and style, adding a layer of mystery to their performance.

Songs like ‘I Ain’t Got No Float’ and ‘Away Touche’ showcase the duo’s unmistakable swagger and flair, delivered with precision and a sense of nonchalance. Graney’s distinct vocal timbre and Moore’s rhythmic finesse blend seamlessly to create a captivating narrative in each track. ‘The Wilderness Years’ introduces a reflective shift in tone, evoking sentiments of nostalgia and contemplation without veering into sentimentality.

Overall, ‘Laburnum of the Mind’ is a masterful demonstration of Dave Graney and Clare Moore’s artistry and creativity. With its eclectic influences, sophisticated arrangements, and witty lyricism, this album stands as a testament to the duo’s enduring talent and ability to reinvent themselves while staying true to their distinct style.