Early review: Olivia Rodrigo’s “you seem pretty sad for a girl so in love” – Stereogum
The primary thing to grasp about Olivia Rodrigo’s latest album is that Track 12 is an absolute gem. “expectations,” the almost final song on Rodrigo’s third record you seem pretty sad for a girl so in love, is a pulsating new wave hit with a bitter twist. The electro-pop bassline channels Devo and the Human League, while the spirited handclaps add to the dynamic sound. The opening of the track sees Rodrigo in a new light, displaying an icy detachment as she dismantles a disappointing guy she met: “I met him at a party/ I think he was on drugs/ He wasn’t smart or funny/ I convinced myself he was.” As the song progresses, Rodrigo’s harmonies layer up, leading to an energetic pogo-punk chorus before transitioning into a talk-singing half-rap on the second verse. The bridge intensifies the track further as Rodrigo voices her high expectations with desperation, and producer Dan Nigro responds robotically, reminiscent of “Material Girl.” It’s a powerful track that stands out on the album.
When it comes to Olivia Rodrigo, many may only have known her for the past five years, given her young age of 23. While early in her career, Rodrigo has quickly garnered attention with the release of “Drivers License” during the pandemic, sparking discussions about her music. Rodrigo is recognized for creating fervent pop music with ’90s and ’00s alternative rock influences, although lacking the grime or danger. Her ballads are heartfelt but at times lack excitement, and her tendency to sing about heartbreak juxtaposes her theater-kid persona. Drawing inspiration from Taylor Swift, Rodrigo’s music reflects this influence, even if they are not in contact currently.
The album you seem pretty sad for a girl so in love stays true to the narratives surrounding Olivia Rodrigo. Featuring both uptempo rock tracks and slower, contemplative pieces, Rodrigo’s lyrics delve into the complexities of love and heartbreak. While some lines showcase her mature understanding of relationships, others hint at her sheltered upbringing compared to the alternative icons she admires. Despite not resembling Taylor Swift, Rodrigo’s music finds a place alongside Swift’s in the pop landscape. Listeners will find aspects of the album that reinforce their perception of Rodrigo, whether as a pop sensation or a privileged artist.
you seem pretty sad for a girl so in love unfolds as a cohesive narrative from start to finish, chronicling the journey of meeting someone, falling in love, experiencing heartache, and ultimately parting ways. The album showcases Rodrigo’s thoughtful approach to storytelling, meticulously dividing the record into two distinct sides for maximum impact. Working closely with her long-time collaborator Dan Nigro, Rodrigo demonstrates a deep understanding of the emotional power of music. Collaborating with trusted peers such as Amy Allen and Conan Gray, Rodrigo maintains a familiar environment to nurture her artistic vision.
The deliberate sequencing of you seem pretty sad for a girl so in love allows for a gradual emotional arc throughout the album. The opening track “drop dead” sets the stage for the unfolding drama, setting the tone for Rodrigo’s introspective journey. While not reaching the same commercial success as her earlier hits, the song serves as a fitting introduction to the narrative. The inclusion of Robert Smith on “what’s wrong with me” adds a touch of nostalgia and gravitas, emphasizing the lineage Rodrigo is welcomed into. In essence, you seem pretty sad for a girl so in love is a well-crafted album that showcases Olivia Rodrigo’s growth as an artist and storyteller.